![]() Hear the bugle call, The Call to those who stay at home You are soldiers all, Though you may never cross the foam. It applies Searle’s theory of speech acts (1979). The data is taken from Iraqi parliamentary elections that are held in 2021, and American senate elections that are held in 2020. The data is analyzed from pragmatic perspective. This study is concerned with investigating the Iraqi and American parliamentary election campaign posters pragmatically. Furthermore, they rely on a variety of pragmatic means to express a wide range of speech acts. Politicians purposefully use various types of pragmatic elements in their election campaign posters in order to gain more votes by influencing voters. Posters are designed to enhance the impact of candidates’ election programs (platforms, manifestos) in order to achieve their political aims. One example is the political posters, which are concerned with elections and seek to familiarize voters with candidates and their ideologies. They come in a variety of shapes and sizes, with various goals and objectives. Posters are one of the most effective tools for communicating ideas, thoughts, and plans. Understanding the nature of the propaganda used by each side can help shed light on the attitudes and sentiments towards the war held by political elites and citizens alike. The images used have been downloaded from a reputable website that depicts reproductions of the posters that were used during WW1. The most obvious difference between the German and American propaganda art was in regard to the overall tone of the posters and the colors used in the presentation. ![]() This paper concludes that while there are many thematic similarities between the posters used by both sides, there are also some important differences. Then images of various posters that were popular and widely published by both nations are shown and discussed. The first section briefly looks at aesthetic theory and addresses the philosophical question of whether war propaganda posters are, in fact, ‘art’ at all. O元394678W Page_number_confidence 89.24 Pages 160 Partner Innodata Pdf_module_version 0.0.17 Ppi 360 Rcs_key 24143 Republisher_date 20220127204630 Republisher_operator Republisher_time 505 Scandate 20220125123759 Scanner Scanningcenter cebu Scribe3_search_catalog isbn Scribe3_search_id 0877544611 Tts_version 4.This paper looks at some similarities and differences between propaganda art used by Germany and the United States during World War I. Rule and resistance in "The New Order," 1936-1945 - The Soviet Union : propaganda for peace, 1917-1945 - The rise and fall of Japan, 1931-1945Īccess-restricted-item true Addeddate 15:09:20 Associated-names Margolin, Victor, 1941-2019 Boxid IA40338223 Camera USB PTP Class Camera Collection_set printdisabled External-identifier The propagation of the Reich, 1933-1945 - Mussolini's new Rome, 1922-1945 - Britain improvises, 1936-1945 - United States : isolation and intervention, 1932-1945 - v. ![]() Included are the posters of Shahn, Boccasile, Hohlwein, and Fougasse the cartoons of Fitzpatrick, Low, Seppla, and the Kukrinisksi stills from the films of John Huston, Noel Coward, and Leni Riefenstahl photos of Tokyo Rose and Fritz Kuhn comic books, magazine covers, paintings, leaflets, stamps, newspapers, postcards, sheet music all the artifacts of the art of persuasion culled from government archives and private collections in the United States and abroad.-From book jacket cover Presents a visual compendium of all forms of propaganda used by the Allied and Axis powers in World War II and in the period that led to its outbreak.
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